Heart of Darkness Did He Live His Life Again
Romeo and JulietPlease run across the bottom of the page for explanatory notes.Please click hither for even more notes and paraphrases.
Next: Romeo and Juliet, Act 2, Scene three __________ Explanatory Notes for Human action 2, Scene 2 __________ Prologue 1. He jests ... wound, Mercutio, who never felt the wound of honey, may well jest at the scars which Cupid's arrows take left in my middle. That this is not a full general, just a item, remark is, I recollect, proved by the answering rhyme, as Staunton has noticed. And every bit neither the folios nor the quartos make any partitioning of scene, such sectionalisation, originally due to Rowe, seems conspicuously wrong. 2. soft! he bids himself 'hush,' cautions himself to talk in a lower vox. 4. envious, jealous. 7. Exist not her maid, no longer serve her, no longer keep a vow to live unmarried; as Diana's votaries pledged themselves to do. 8. Her vestal ... green, the life of guiltlessness to which she binds her priestess is i of sickly, jaundiced, hue. In sick and dark-green there is probably, as Delius suggests, an allusion to the "green-sickness" of which Shakespeare frequently speaks, and which in three. 5. 157, below, Capulet applies every bit an epithet to Juliet in his anger at her refusal of Paris, "Out, you lot green-sickness carrion! out, you baggage! You lot tallow-face," — an ailment of languishing girls characterized by a stake complexion. The reading of the kickoff quarto is pale for sick, and this is preferred by many editors. Collier would modify sick into white, seeing in the line an allusion to the white and green livery formerly worn by the Court fools; but information technology seems unlikely that Shakespeare would use the give-and-take fools in this literal sense when referring to Juliet, while, equally Grant White points out, if such an innuendo were intended, it would exist obtained from the reading of the commencement quarto, pale, without the fierce change to white; vestal livery. Vesta was the Roman goddess of the hearth, corresponding with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. iii. iv. 10, "A vestal livery will I take me to, And never more than have joy." 12. what of that? only that matters little. xiii. discourses, is eloquent in its mere wait. 16. some business, some private affairs of their own which would be hindered by their having to perform their nightly duty of lighting up the sky. 17. in their spheres. According to the Ptolemaic system of astronomy, round nearly the earth, which was the center of the system, were 9 hollow spheres, consisting of the seven planets, the fixed stars or empyrean, and the Primum Mobile; the spheres with the stars and planets in them existence whirled round the world in xx-four hours by the driving power, the Primum Mobile. 21. the airy region, the upper air; region, was originally a division of the sky marked out by the Roman augurs. In later times the atmosphere was divided into iii regions, upper, middle, and lower. Cp. as well Haml. ii. 2. 509. 24, v. O, that ... cheek, cp. Tennyson, The Miller's Daughter, 169-186. 28. winged messenger, angel. 29. white-upturned, turned up in adoration so that the pupils are scarcely seen. 30. fall dorsum, stand back in awe, and as well in order to get a clearer view. 31. lazy-pacing, slowly globe-trotting. Grant White compares Macb. i. 7. 21-five; lazy-pacing is Pope'southward theorize for lasie pacing, of the first quarto; the remaining quartos and the folios give lazie, or lazy, puffing. 34. refuse, disown, disclaim; cp. T. C. four. 5. 267, "We accept had pelting wars, since you refused The Grecians' cause." 37. speak at this, respond her without allowing her to go further, interrupt her at this betoken. 39. Thou art ... Montague. Staunton explains "That is, as she later expresses information technology, you would still retain all the perfections which ardorn you lot, were not chosen Montague"; and and then essentially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma afterward though, as used in the sense of however, with the caption that Juliet is but endeavouring to account for Romeo'due south beingness affable and excellent though he is a Montague, to evidence which she asserts that he only bears the name, but has none of the qualities of that house. Diverse emendations have besides been proposed, but Staunton'southward caption seems to me quite satisfactory. 42. be some other proper noun, be somebody else in name than Montague. Lettsom objects that Shakespeare could not take written "exist some other proper name"; only later the expression "What'southward Montague?", where "Montague" is used equally though information technology were a thing, in that location seems no reason why we should not have "be some other name." 46. owes, owns; every bit frequently in Elizabethan literature, the last n of the K. Eastward. owen, to pcssess, existence dropped. The mod sense of the word 'to be in debt,' 'to be obliged,' comes from the sense of possessing some other's property, just the give-and-take has no etymological connection with to 'own' = to possess; it existence from the A.Due south. agan, to take, while the latter is from the A.S. agnian, to appropriate, claim equally 1's own, from agn, contracted form of agen, one's own (Skeat, Ety. Dict.). 47. doff, put off; exercise off, equally don, practice on; dup, do up; dout, practise out. 48. for thy name, in exchange for your name. 53. So stumblest on my counsel, come up then unexpectedly upon my secret thouglits; cp. Yard. N. D. i. i. 216, "Emptying our bosoms of their counsel sweet," i.e. confiding to each other our inmost thoughts. 53, 4. By a proper noun... am, if I could allow y'all know who I am without using a name, I would gladly practice so, for it is impossible for me to name myself without sorry yous. 55. saint. Delius points out that this give-and-take recalls their first coming together when, equally a pilgrim, Romeo had thus greeted Juliet. 58. drunk, unconsciously acknowledging the avidity with which she had listened to his words. 61. if either thee dislike, if either be unpleasant to your ears; dislike is really impersonal, as in Oth. ii. 3. 49, "I'll do't; but it mislike's me." 64. And the place death, and to venture here is to risk your life. 66. o'er-perch these walls, fly over these walls and settle here, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, then a bough or twig on which a bird settles. 67. stony limits, limits formed of rock, i.e. walls; stony, more than unremarkably used as = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my way and keep me out. 71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more likely, from ah! and M. East. lak, loss, failure. 73. proof against, able to endure, hold out against; see note on i. 1. 216. 76. only thou love me ... here, except, unless, you love me, I am quite willing that they should find me here and kill me; without your love, life to me is not worth living. 78. Than death ... love, than that my death should exist delayed if I am to be without your love; prorogued, the Lat. prorogare was to propose a further extension of office, lience to defer, though literally pregnant only to enquire publicly, from pro-, publicly, and rogare, to ask. 81. counsel, advice. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would take chances for, I would make my voyage in quest of, yet smashing the danger. 88. Fain ... form, gladly would I, if it were possible, stand on ceremony with you, treat you with distant formality; Fain, properly an adjective. 89. just farewell compliment, "but abroad with formality and punctilio" (Staunton); I now cast such things to the winds. 93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe's translation of Ovid's Art of Beloved, i. 633, "For Jove himself sits in the azure skies, And laughs beneath at lover's perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce it faithfully, clinch me of your love without adding an oath to confirm your words. 97. So, provided that. 98. addicted, foolishly loving; fond, originally fonned, the past participle of the verb fonnen, to deed foolishly, from the substantive fon, a fool. 99. light, full of levity, wanton. 101. more than cunning ... strange, more skill in affecting coyness. 104. passion, passionate confession; the give-and-take was formerly used of whatever stiff emotion. 106. Which the nighttime ... discovered, which (dear) has been revealed to you by the darkness of the night whose role should be to conceal; which you have discovered thanks to the darkness of the night. 110. circled, revolving; not, I recollect, 'round,' as Schmidt explains. 111. besides, equally. 113. gracious, attractive, finding favour in my eyes; cp. T. A. i. 1. 429, "if e'er Tamora Were gracious in those princely optics of thine." This is the reading of the first quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-night, I experience no joy in now ratifying with oaths a contract betwixt us. Like Romeo, i. 4. 106-11, she has a presentiment of some evil befalling their plighted love. 118. unadvised, imprudent, formed without sufficient consideration. 121, two. This bud of love ... meet, this new love of ours, cherished in our hearts, may expand into total growth past the time nosotros next run into, as beneath the summer's warmth the bud expands into a beauteous blossom. as that ... breast, "every bit to that eye within my breast" (Delius). 126. satisfaction, Delius points out the double sense here of payment and comfort. 129. And yet ... again, and still I wish I had not given information technology, in order that I might now again have the joy of giving it. 131. frank, liberal, free of mitt; cp. Lear, 3. iv. twenty, "Your erstwhile kind male parent, whose frank heart gave all." 132. the thing I take. sc. her own infinite love. 143. If that ... honourable, if your dearest is honourable in its intentions; for that, as a conjunctional affix, come across Abb. § 287. 145. procure to come, arrange to have sent. 146. the rite, sc. of marriage. 152. Past and past, in a infinitesimal, directly. 153. suit. Malone quotes from Brooke's poem, Romeus and Juliet, "and at present your Juliet y'all beseekes To end your sute, and endure her to alive emong her likes." 154. So thrive my soul — may my soul prosper (according as I mean well to you), the terminal words being cleaved off by Juliet's farewell. 156. A one thousand ... low-cal, in answer to Juliet's wish of good-dark he says, nay, non adept nighttime but bad nighttime, dark made a 1000 times the worse by the absence of you who are its but light. 158. toward ... looks, sc. as schoolboys go toward, etc. 159. Hist! Listen! 159, lx. O, for ... again! would that I had a voice that would bring back my gentle Romeo equally surely equally the falconer's voice brings ack the tassel-gentle! "The tassel or tiercel (for so it should be spelled) is the male of the gosshawk; and so called because it is a tierce or third less than the female person...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its attachment to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered equally appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen by Juliet every bit an appellation for her beloved Romeo." 161. Bondage ... aloud, one fettered, constrained past fear of being overheard, like me, is as much unable to call aloud as ane whose vox is stopped by hoarseness of the pharynx. 162. Else ... lies, otherwise by my loud cries I would rend the cave in which Echo dwells; Echo, an Oread who by Juno was changed into a existence neither able to speak until somebody had spoken, nor to exist silent when anybody had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, brand her hoarser than myself fifty-fifty. Dyce compares Comus, 208, "And airy tongues that syllable men's names On sands and shores and desert wildernesses." 166. silver-sweet, in allusion to the sweet tone of bells made of silver. 167. attending, attentive. 173. to have ... there, in order to keep you standing at that place. 175. to have ... forget, so that y'all may continue to forget. 176. Forgetting ... this, forgetting that I have whatever dwelling but this, forgetting that this is non really my habitation. 178. a wanton'south bird, the pet bird of a mischievous girl, a daughter that loves to tease her pets. 180. gyves, chains, fetters. 182. So loving-jealous ... liberty, so fond of information technology and yet so jealous of its getting its freedom. 186. shall say good night, shall keep maxim 'good night.' 188. so sweet to rest, having so sweet a resting place. 189. ghostly father, spiritual father; father, a title given to cosmic priests. 190. my dear hap, the practiced fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.' How to cite the explanatory notes: ______ Fifty-fifty more... | Notes on Romeo and Juliet Juliet appears above at a window (stage direction). Shakespeare did not include this stage direction and information technology is non in Q1 or the First Folio. It was added in the 17th century and has remained ever since, although some editors cull to place the direction right later on Romeo's line "He jests at scars that never felt a wound" (1), while others insert it correct before Romeo says "Information technology is my lady, O information technology is my honey" (10). More to Explore Romeo and Juliet: Complete Play with Explanatory Notes Themes and Motifs in Romeo and Juliet Stage History of Romeo and Juliet Romeo and Juliet: Exam Questions and Answers ill and green ] The phrase sick and light-green refers to the anaemic condition known as chlorosis, or green sickness. The goddess Diana (the moon personified) is sickly stake and envious of Juliet's beauty (6). Juliet, too, equally a follower of Diana (i.e,. a virgin) is looking quite sickly pale herself. As Helen Male monarch argues in her book The disease of virgins: green sickness, chlorosis and the issues of puberty, "...for an early modern reader, the illness label 'light-green sickness' - like 'the affliction of virgins' - could contain within itself the cure: sexual experience" (35). Read on... Notes on Shakespeare... Richard Shakespeare, Shakespeare's paternal grandfather, was a farmer in the small village of Snitterfield, located four miles from Stratford. Records show that Richard worked on several dissimilar farms which he leased from various landowners. Coincidentally, Richard leased state from Robert Arden, Shakespeare's maternal granddaddy. Read on... ____ Shakespeare caused substantial wealth thanks to his acting and writing abilities, and his shares in London theatres. The going rate was £10 per play at the plough of the sixteenth century. So how much coin did Shakespeare make? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of Rex Edward Iii, was born on April 3, 1367. Henry usurped the throne from the ineffectual King Richard Two in 1399, and thus became King Henry IV, the first of the three kings of the House of Lancaster. Read on... Known to the Elizabethans as ague, Malaria was a common malady spread past the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was e'er at take chances. King James I had it; so too did Shakespeare'due south friend, Michael Drayton. Read on... Shakespeare was familiar with vii foreign languages and often quoted them directly in his plays. His vocabulary was the largest of whatever writer, at over twenty-iv thousand words. 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